2025
Megan Craig and Edward S. Casey provide a collaborative phenomenological exploration of
thought in motion, interspersing lively first-person accounts with broader philosophical
inquiry. Their investigation, structured around the four ancient elements—water, air, earth, and
fire—ranges across swimming, boats, balloons, planes, cars, trains, and other modes of
transport. Craig and Casey invite readers to recall their own experiences of travel and how
thinking changes in tandem with shifting environments and whatever conveys a person from
place to place. They also consider how changing climates and evolving technologies, with new
rhythms and materialities, have shaped human thinking in its many varieties.
Megan Craig and Edward S. Casey provide a collaborative phenomenological exploration of
thought in motion, interspersing lively first-person accounts with broader philosophical
inquiry. Their investigation, structured around the four ancient elements—water, air, earth, and
fire—ranges across swimming, boats, balloons, planes, cars, trains, and other modes of
transport. Craig and Casey invite readers to recall their own experiences of travel and how
thinking changes in tandem with shifting environments and whatever conveys a person from
place to place. They also consider how changing climates and evolving technologies, with new
rhythms and materialities, have shaped human thinking in its many varieties.
2019
Megan Craig: Shields. Exhibition Catalog
with essays by Jennifer Reynolds-Kaye
and Megan Craig. For ordering information, contact me.
Megan Craig: Shields. Exhibition Catalog
with essays by Jennifer Reynolds-Kaye
and Megan Craig. For ordering information, contact me.
2018
"Shields," a 16-page hand-drawn zine produced in conjunction with the solo exhibition Shields at Real Art Ways. For ordering information, contact me. |
2017
"Traveling in Place" program, an 8-page booklet detailing the concept and fabrication of my collaborative work with Rachel Bernsen for The Yale University Art Gallery, made in conjunction with the exhibition Small-Great Objects: Anni and Josef Albers in the Americas. For ordering information, contact me.
"Traveling in Place" program, an 8-page booklet detailing the concept and fabrication of my collaborative work with Rachel Bernsen for The Yale University Art Gallery, made in conjunction with the exhibition Small-Great Objects: Anni and Josef Albers in the Americas. For ordering information, contact me.
2017
The Fate of Philosophy. A limited edition 16-page, hand-drawn zine written in conjunction with my article "Looking Back, Looking On," for the 2017 meeting of the American Philosophies Forum.
The Fate of Philosophy. A limited edition 16-page, hand-drawn zine written in conjunction with my article "Looking Back, Looking On," for the 2017 meeting of the American Philosophies Forum.
2017
Richard J. Bernstein and the Expansion of American Philosophy: Thinking the Plural. Lexington Books, 2017. Edited by Megan Craig and Marcia Morgan with essays by Lauren Bartholdi, Richard J. Bernstein, Edward S. Casey, Megan Craig, Espen Hammer, Brendan Hogan, Christopher P. Long, Lawrence Marcelle, Marcia Morgan, Karen Ng, Katie Teriyakis, Michael Weinman, George Yancy, and Rocío Zambrana. For ordering information, click here.
Richard J. Bernstein and the Expansion of American Philosophy: Thinking the Plural. Lexington Books, 2017. Edited by Megan Craig and Marcia Morgan with essays by Lauren Bartholdi, Richard J. Bernstein, Edward S. Casey, Megan Craig, Espen Hammer, Brendan Hogan, Christopher P. Long, Lawrence Marcelle, Marcia Morgan, Karen Ng, Katie Teriyakis, Michael Weinman, George Yancy, and Rocío Zambrana. For ordering information, click here.
2016
The Way Things Felt, limited edition 16-page, hand-drawn zine produced in conjunction with my participatory performance work of the same name. For ordering information, contact me.
The Way Things Felt, limited edition 16-page, hand-drawn zine produced in conjunction with my participatory performance work of the same name. For ordering information, contact me.
2016
Rose Sings, catalog from my 2015 solo exhibition at Kunstverein Grafschaft Bentheim, Germany.
54 pages, full-color, with critical essay by Tom Huhn. For ordering information, please contact me or the gallery.
Rose Sings, catalog from my 2015 solo exhibition at Kunstverein Grafschaft Bentheim, Germany.
54 pages, full-color, with critical essay by Tom Huhn. For ordering information, please contact me or the gallery.
2016
Cover image, short essay, and interior images of new drawings. The Ocean State Review, published by The
University of Rhode Island.
Cover image, short essay, and interior images of new drawings. The Ocean State Review, published by The
University of Rhode Island.
2012
The catalog from my 2012 two person show with Cat Balco at Seton Art Gallery. 36 pages, full color, with essays and interviews by Cat Balco and Megan Craig. Essay by Francis Cooley. For ordering information, contact me or Seton Art Gallery.
The catalog from my 2012 two person show with Cat Balco at Seton Art Gallery. 36 pages, full color, with essays and interviews by Cat Balco and Megan Craig. Essay by Francis Cooley. For ordering information, contact me or Seton Art Gallery.
2010
Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas’s philosophy and the ethical implications of James’s pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm’s length. Revealing the pragmatic minimalism in Levinas’s work and the centrality of imagery in James’s prose, she suggests that aesthetic links are crucial to understanding what they share. Craig’s suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers. Megan Craig is Associate Professor of Philosophy and Art at Stony Brook University. She is also an artist and has exhibited her work internationally. Series: American Philosophy Distribution: World Publication date: 10/1/2010 Format: cloth 276 pages, 5 b&w illus., 6 x 9 x .75, unjacketed library edition ISBN-13: 978-0-253-35534-8
Bringing to light new facets in the philosophy of Emmanuel Levinas and William James, Megan Craig explores intersections between French phenomenology and American pragmatism. Craig demonstrates the radical empiricism of Levinas’s philosophy and the ethical implications of James’s pluralism while illuminating their relevance for two philosophical disciplines that have often held each other at arm’s length. Revealing the pragmatic minimalism in Levinas’s work and the centrality of imagery in James’s prose, she suggests that aesthetic links are crucial to understanding what they share. Craig’s suggestive readings change current perceptions and clear a path for a more open, pluralistic, and creative pragmatic phenomenology that takes cues from both philosophers. Megan Craig is Associate Professor of Philosophy and Art at Stony Brook University. She is also an artist and has exhibited her work internationally. Series: American Philosophy Distribution: World Publication date: 10/1/2010 Format: cloth 276 pages, 5 b&w illus., 6 x 9 x .75, unjacketed library edition ISBN-13: 978-0-253-35534-8
2009
This is the catalog from my 2009 solo show at Sundaram Tagore Gallery in New York. Full color, 24 pages, with critical essay by Edward S. Casey. For ordering info please contact me or Sundaram Tagore Gallery directly.
This is the catalog from my 2009 solo show at Sundaram Tagore Gallery in New York. Full color, 24 pages, with critical essay by Edward S. Casey. For ordering info please contact me or Sundaram Tagore Gallery directly.
2005
A 48-page full color catalog from my solo exhibition, Views, at Kunstverein Grafschaft Bentheim in Germany in 2005, with critical essay by David Grosz. For ordering information please contact me.
A 48-page full color catalog from my solo exhibition, Views, at Kunstverein Grafschaft Bentheim in Germany in 2005, with critical essay by David Grosz. For ordering information please contact me.
2004
A catalog of work and statements from artists who were part of the Lower Manhattan Cultural Council's World Views and Studioscape residencies in the World Trade Center from 1997 through 2001. Product Details: Flexi-bound, 8.5 x 10.5 in. / 320 pgs / 300 color. Hardcover: 320 pages Publisher: LMCC (November 15, 2004) ISBN: 0972697314
A catalog of work and statements from artists who were part of the Lower Manhattan Cultural Council's World Views and Studioscape residencies in the World Trade Center from 1997 through 2001. Product Details: Flexi-bound, 8.5 x 10.5 in. / 320 pgs / 300 color. Hardcover: 320 pages Publisher: LMCC (November 15, 2004) ISBN: 0972697314
2001
A set of 15 boxed note cards with envelopes featuring 15 different paintings I made while in residency at the World Trade Center in 2001. Proceeds benefit the New York State Relief Fund, formerly the September 11th Fund. For more information, or to order a box of cards, please contact me.
A set of 15 boxed note cards with envelopes featuring 15 different paintings I made while in residency at the World Trade Center in 2001. Proceeds benefit the New York State Relief Fund, formerly the September 11th Fund. For more information, or to order a box of cards, please contact me.